Tomorrow night, Remnant Framing comes alive with color, contrast, and the energy of a new season. From 5–7 PM, we’re opening the doors for our Spring Gallery Reception—a celebration of scale, texture, and creative spirit. The walls are stacked, and the stories are ready to be shared.

This season’s lineup features large-scale, hard-to-ignore works by artists whose styles couldn’t be more different—and that’s exactly the point.

Taylor Mclendon, known for bold, raw compositions, brings a new body of work that’s as defiant as it is introspective. Massive hand gestures—peace signs, middle fingers, quiet waves—speak volumes in his signature gritty palette. It’s the kind of visual language that hits first and lingers longer.

Vit Pavlik introduces Volarism, a ten-piece suite that plays with surreal space and bright, otherworldly forms. Vit’s paintings hum with movement. They don’t just hang—they levitate. It’s color theory on a sugar high, grounded by masterful detail.

Bringing balance to the gallery is Elizabet Castro, whose small, intricate works pulse with quiet power. Nestled among the giants, her pieces offer a place to land. Built from layers, patterns, and soft construction, they invite viewers in close—offering calm in the storm.

The show’s contrasts—small and large, soft and loud—are the kind of tension we love to play with at Remnant. Framing isn’t just about borders. It’s about context. And this show asks: What happens when art becomes bigger than the wall it's hanging on?

We’ll have wine and charcuterie on hand, so come hungry for good conversation and visual impact. It’s a chance to meet the artists, explore the work up close, and feel the energy that only a room full of fresh art can bring. And with Cedric Burnside playing next door at Tangled Strings right after, you’ll want to stick around—Lowe Mill will be alive.

Come early. Stay late. Be bold.

See you tomorrow at 5.